Here is a neat slide guitar rhythm part, played in dropped D. It incorporates a bunch of techniques I've been demonstrating over the months in these lessons: slide, normal playing, muting.

It's in the key of D, a I-IV-V progression, and in this case, each of the those chords is allowed to visit its own IV chord momentarily ...

I know that sounds confusing, so let me try and explain better: The three chords used are D, G and A. These are the three primary chords of the key of D, the I-IV-V chords of D. So while I'm playing the D chord, there are some quick G chords thrown in there. G is the IV chord of D.

While I'm playing the G chord, I play the same kind of figure centered around G now, so for simplicity sake, let's consider that G chord as a I chord. Its IV chord is C. So the figure becomes G to C; the same applies to the A chord: the figure goes to a IV chord of A, which is D. In this way, the I-IV chord figure becomes a repeating theme, built on the three chords as if each were a I chord.

I know, it's still confusing, but it's difficult to explain in any other way. This bluesy kind of music does not follow the usual rules of 'pure' music. Even though it's in the key of D, you can almost think of it as changing key with each chord change, so each becomes a I chord for its duration.

The unadorned chord progression, without the little IV chords, is:

| D / / / | D / / / | D / / / | A / D / | D / / / | D / / / | D / / / | A / D / |

| G / / / | A / / / | G / / / | A / / / | D / / / | D / / / | D / / / | A / D / |

Launch in external player

The movie will show you the basic the basic positions I use and how I move from one to the other; the tablature will show you exactly what I play. The piece is mostly 'chordlets', which is a term I coined in the last lesson, meaning 'small chords'.

As always, I use the slide on any bits and pieces that line up. So the first D is a line-up on the 7th fret (part of the A form barre D chord); The little G chord is the open strings of the open G chord; the next D is a fingered double stop, the 3 and 5 of an open D chord. Then back to the open strings and then back to the slide chord. It's a series of moves that requires quite a lot of concentration to begin with, but quickly settles into a muscle memory action. It's fun to do.

At the end of bar 9, I anticipate the G chord, which I play as a slide power chord on the bass strings at the 5th fret. Then follows the quick C chord, which is also at the fifth fret; all that happens is that I play the 2-3-4 string set to grab the C triad. This is where the right hand muting must come into play. I've said it often, the main trick to playing slide, especially in standard or dropped D, is to mute out unwanted strings. The best way to do that is with your right hand finger tips.

The A chord section, which is just one bar long, is an echo of the G bit, in that the chord does the little jump up to its IV chord (D), but I finger it slightly differently. I play the first A as a fretted chord. Again, the chordlets are the units I use to create the lines.

This is a fun piece to play, once you get the flow of it happening. It needs to be attacked element by element, bar by bar, until it all becomes one long movement. There are a million variations on the theme, but you need to get at least one down pat before you can go exploring for others.

As the previous 'line-em-up' lessons demonstrate also, and contrary to popular belief, standard/dropped D tunings are a rich environment for slide. There are many, many ways to express a series of chords, and somehow the need for line-ups make for an interesting end result when you've got that slide on your pinkie.

Full speed | Half Speed | GuitarPro file*